An enormous popular success, Corneille's Le Cid was the subject of a heated polemic over the norms of dramatic practice known as the Querelle du Cid Quarrel of The Cid. Today, Le Cid is widely regarded as Corneille's finest work, and is considered one of the greatest plays of the seventeenth century. The real "Cid" seems to have fought for both Muslims and Christians at different times and appears to have been a sellsword figure. In the play, however, he is lauded solely as a Christian soldier.
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This is not to say that he refused to grant theatre any moral function. The first cannot prevent moral corruption, whilst the second can be suspected of duplicity. If theatre is capable of contributing towards the definition of a public ethic, it is through the Cornelian redefinition of catharsis, which leads to a dialectical surpassing of censorship and exemplarity.
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